RAVIV GANCHROW – IMAGING FATE
soundSTILL HERE II
installationsoundTYMPANIC TETHER
installationsoundRAINBOW STUMPS
islandperformance & writingsoundSLOW RISING WHITE SALES
performance & writingRE-INVITED DEAD FOLKS
performance & writingFRONT OF HEAD VOID
performance & writingWE ARE SMALL
performance & writing3102
islandperformance & writingTWO THOUSAND THIRTEEN – GO NEW ENCOUNTERS
islandCLOWNING IN THE NEW YEAR
installationislandMANN-LY PURSUITS
islandSANTO-GYPSIES
islandperformance & writingHALLOWEEN NEXT – MIDNIGHT DECOMPOSURE
installationislandTURNING RADIUS OF OUTER WINGTIP
islandperformance & writingMANIFESTO-ING
islandperformance & writingLONDON IS EMPTY, BUT HAS AMAZING CAB DRIVERS
installationislandperformance & writingMANIFESTO FOR MANIFESTOS IN CRISIS
islandCARL WEBER ARRIVES ON SANTORINI
islandJULY 18TH 2012
islandKYIV DIARY – DAY LAST
installationislandperformance & writingKYIV DIARY – DAY 2
installationislandperformance & writingISLANDS’ UNDERSIDES
islandperformance & writingNEW BLOOD GREEK CINEMA
installationislandINTERN’S DIARY – JUNE 26TH
islandperformance & writingINTERN’S DIARY – JUNE 25TH
installationislandperformance & writingINTERN’S DIARY – JUNE 24TH
islandperformance & writingINTERN’S DIARY – JUNE 23RD
islandperformance & writingSandwich Gallery
bg-color-14installationCarl Weber
archivebg-color-13videoCurtis Tamm
bg-color-12installationThomas Myernick
bg-color-12installationMegan Dominescu
bg-color-11textile artIntern’s diary – June 22nd
islandperformance & writingPraire, tights factory, screen
islandIsland-Ports
islandResidency start!
islandKyiv Diary – Day 1 May 22
installationislandperformance & writingClaire Bishop and our literal speed
islandtalkAmbient Santorini
installationislandFictive pursuits
islandperformance & writingThe long braid, the balcony, the arrow
islandperformance & writingPseudophotography
photographyTragic historiography
islandperformance & writingSign competition
installationislandperformance & writingsoundThe copyist
installationislandperformance & writingsoundA house with a view
installationperformance & writingsoundRadio Free Santorini + Aural Lighthouses
bg-color-5installationperformanceradiosoundtalkNew Blood Greek Cinema
bg-color-4videoPachinko Playalong + new Fello works
bg-color-3installationlive performancesoundvideoNina Fischer & Maroan El Sani
bg-color-2installationOrder of the Third Bird
bg-color-1performancevideoNika Neelova
artbg-color-6installationLeon Pozniakow
artbg-color-7installationTrajal Harrell – Sister or He Buried the Body
artbg-color-8performanceRaphael Hefti
artbg-color-9installationTrajal Harrell – Sister or He Buried the Body
Pre premiere performance at the Santozeum
You should feel free to choose either title. A folksy traveling show with two possible titles made for diverse spaces of size and purpose, Sister or He Buried the Body is Trajal Harrell’s latest solo. This new work is the the other side of the coin if we flip his piece, The Return of La Argentina commissioned by MOMA (New York) and premiered at Paris’ Le Centre National de la Danse in 2015.The work is continually performed in museums and performance contexts around the world. With “…Argentina,” Harrell set out to vogue butoh co-founder Kazuo Ohno voguing the spanish dancer La Argentina. With this new work Harrell vogues Tatusumi Hijikata, butoh’s mastermind and other co-founder voguing his dead sister, who was the base of much butoh mythology and Hijikata’s vocabulary. Harrell also poses the “what if ‘the sister’ of Hijikata’s tale was in fact the African-American dancer-choreographer Katherine Dunham?” Dunham was recently discovered to have probably influenced Hijikata’sartistic practice and development of butoh. Beside the history, Trajal Harrell, performs a dance about ghosts haunting the dancing body and attempts to see how close he can get to the “realness” of old style butoh. Since 2013, Harrell has been dedicated to a long term research: linking butoh through the lens of voguing and early modern dance. This next edition to his body of work is both a departure into unknown territory and at once a homecoming.
Co-Commissioned by Gwangju Biennale, Aichi Triennale, MUDAM-Luxembourg, Schauspielhaus Zurich, Centre National de la Danse- Paris





