RAVIV GANCHROW – IMAGING FATE
soundSTILL HERE II
installationsoundTYMPANIC TETHER
installationsoundRAINBOW STUMPS
islandperformance & writingsoundSLOW RISING WHITE SALES
performance & writingRE-INVITED DEAD FOLKS
performance & writingFRONT OF HEAD VOID
performance & writingWE ARE SMALL
performance & writing3102
islandperformance & writingTWO THOUSAND THIRTEEN – GO NEW ENCOUNTERS
islandCLOWNING IN THE NEW YEAR
installationislandMANN-LY PURSUITS
islandSANTO-GYPSIES
islandperformance & writingHALLOWEEN NEXT – MIDNIGHT DECOMPOSURE
installationislandTURNING RADIUS OF OUTER WINGTIP
islandperformance & writingMANIFESTO-ING
islandperformance & writingLONDON IS EMPTY, BUT HAS AMAZING CAB DRIVERS
installationislandperformance & writingMANIFESTO FOR MANIFESTOS IN CRISIS
islandCARL WEBER ARRIVES ON SANTORINI
islandJULY 18TH 2012
islandKYIV DIARY – DAY LAST
installationislandperformance & writingKYIV DIARY – DAY 2
installationislandperformance & writingISLANDS’ UNDERSIDES
islandperformance & writingNEW BLOOD GREEK CINEMA
installationislandINTERN’S DIARY – JUNE 26TH
islandperformance & writingINTERN’S DIARY – JUNE 25TH
installationislandperformance & writingINTERN’S DIARY – JUNE 24TH
islandperformance & writingINTERN’S DIARY – JUNE 23RD
islandperformance & writingSandwich Gallery
bg-color-14installationCarl Weber
archivebg-color-13videoCurtis Tamm
bg-color-12installationThomas Myernick
bg-color-12installationMegan Dominescu
bg-color-11textile artIntern’s diary – June 22nd
islandperformance & writingPraire, tights factory, screen
islandIsland-Ports
islandResidency start!
islandKyiv Diary – Day 1 May 22
installationislandperformance & writingClaire Bishop and our literal speed
islandtalkAmbient Santorini
installationislandFictive pursuits
islandperformance & writingThe long braid, the balcony, the arrow
islandperformance & writingPseudophotography
photographyTragic historiography
islandperformance & writingSign competition
installationislandperformance & writingsoundThe copyist
installationislandperformance & writingsoundA house with a view
installationperformance & writingsoundRadio Free Santorini + Aural Lighthouses
bg-color-5installationperformanceradiosoundtalkNew Blood Greek Cinema
bg-color-4videoPachinko Playalong + new Fello works
bg-color-3installationlive performancesoundvideoNina Fischer & Maroan El Sani
bg-color-2installationOrder of the Third Bird
bg-color-1performancevideoNika Neelova
artbg-color-6installationLeon Pozniakow
artbg-color-7installationTrajal Harrell – Sister or He Buried the Body
artbg-color-8performanceRaphael Hefti
artbg-color-9installationFictive pursuits
Over four months, the Santozeum will be hosting artists in residence. Collaborations on island projects will yield publications. Projects work in twos – collaborators, ideas, dialogues. A multivalent forum emerges from the dual strands. The idea may be construed as obsolete today, but the Santozeum believes in the arcane, the slow and focused thought. Robert Gutman, a standard bearer of the urbanistic architectural field and an enormously influential educator for me and many, coined the dialogic practice in architecture “The Romantic Loner,” in that “there is a powerful image in the profession which encourages the architect to think of himself as a free, independent practitioner, operating more or less on his own, and cultivating personal relationships with an understanding and appreciative client. The source of the image is a romanticized view of the architect-patron relationship that is supposed to have prevailed before the nineteenth century” (In Architecture from the Outside In, 37). Gutman relegates the practice mostly to the past. A redefinition of the productive quality of working in twos is not hierarchical. The Santozeum is a patron in that it is a host with a mission. The residencies take place on Santorini, therefore must refer to their ambient. In that sense, the fiction of any artistic pursuit must reference the dual existence of space and maker.
