RAVIV GANCHROW – IMAGING FATE
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installationsoundRAINBOW STUMPS
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islandCARL WEBER ARRIVES ON SANTORINI
islandJULY 18TH 2012
islandKYIV DIARY – DAY LAST
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installationislandINTERN’S DIARY – JUNE 26TH
islandperformance & writingINTERN’S DIARY – JUNE 25TH
installationislandperformance & writingINTERN’S DIARY – JUNE 24TH
islandperformance & writingINTERN’S DIARY – JUNE 23RD
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bg-color-14installationCarl Weber – Pirandello Village Pieces
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bg-color-12installationThomas Myernick – Worried Waltz Radio Pieces
bg-color-12installationMegan Dominescu
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bg-color-4videoPachinko Playalong and new fello works
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bg-color-2installationOrder of The Third Bird – Library of attention
bg-color-1performancevideoNika Neelova – lateral cuts I-XIII
bg-color-6performancesoundtalktextvideoLeon Pozniakow
bg-color-7installationTrajal Harrell – Sister or He Buried the Body
artbg-color-8performanceRaphael Hefti – We are not one way trip to Mars people
bg-color-9installationRAVIV GANCHROW – IMAGING FATE
Environmental monitoring increasingly relies on expansive techniques of vibration sensing and signal transmission. Notably, the rise of the Earth sciences can partially be attributed to developments in methods of transduction. Monitoring procedures, often involving the coordination of multiple distant detectors, maintain strict relations between physical locations and vibrational properties. As tremors become spatial and geology temporal, wave-forms chart an ever-widening scope of material presence where terrestrial place takes on a vibrant, yet ominous, status.
In particular the images, sounds and graphs culled from the geophysical environment increasingly reveal energetic capacities that are in the very least pervasive if not downright threatening. Such registrations of vibrational expanse not only open a window onto past events, they also partially prefigure a future in their role as images of fate: These registers are also maps fraught with the sense of tremors and swells from events that have yet to arrive.
Behind this environmental waver is a more fundamental drift of attention: To what effect has an awareness of vibrational extensity become a projection screen of our own existential anxiety? And more specifically, in what manner has our grasp of distance itself come to measure the scope, states, and categories of physical calamity? This talk begins with Ganchrow’s recent infrasound work as a means towards the affordances and hang-ups of hearing long-distance.
