This curatorial performance will take the shape of a sonic forewarning, trying to conjure the notion of unheard disasters in sound. It is based on the most quietest of disasters affecting the Western World: the banking crises and the on-going silent disastrousness of neo-liberal capitalism, which...
Environmental monitoring increasingly relies on expansive techniques of vibration sensing and signal transmission. Notably, the rise of the Earth sciences can partially be attributed to developments in methods of transduction. Monitoring procedures, often involving the coordination of multiple distant detectors, maintain strict relations between physical...
Still Here (II) for Santozeum is the second iteration of an installation that transmits soundscapes from the island of Santorini using radio receivers built into locally salvaged birdcages. On this occasion our focus is on sonifying a bird’s experience of the island’s magnetic field. Caught and...
“One of the first devices to give man an extended voice was the horn. The first horns were aggressive, hideous sounding instruments, used to frighten off demons and other animals…” TYMPANIC TETHER is a site specific, live 8-channel spatialized sound performance that reverse engineers the Emergency...
In May 2015 the Santozeum will host a cluster in the Fluid States PSI series. We will post Call for Papers and Call for Residents in January 2014. Check Santozeum.com and www.psi-web.org....
How many hot cake books has the Santozeum sold this summer? So many. Now we are opening our online bakery. Check Publications at Santozeum.com...
DJ Jose Hita is preparing the soundtracks for the roof top Santozeum-cafe. Here he is: soundcloud.com/audio-couture...
The Santozeum has sent out letters to illustrious guests from the past to join us in spirit. Welcome....
Our museum is not encyclopedic. But we are constructing two encyclopedias: the collection of non-portraits from all collaborators and the encyclopedic library of curated sections. The latter hosts the Order of the Third Bird's library of attention in the Studiolo copy in navy. The new...
It’s not the end of the year and this blog hasn’t entirely given up on 0132, 2013, 3102. The Santozeum has continued without leadership, all by its lonesome. It will publish five books, photographs, sculpture, criticism, archeology and ink. It started to think about the...
New encounters - check in with our website from next week for updated information on the new season events, residencies, projects, installations and new media. The first Santozeum agent of 2013 is on the island - lurking in the best of the early warm season, crafting in...
we travel. Our mode of transport moves slowly – it has a bad engine. Islands feel farther apart. A benign bay becomes a tsunami in a bathtub and we are the rubber toy nearly floating. we abandon ship. On land we explore a baroque church,...
Where you work, whom you work with, what you look at while you work are challenging choices when they come with an 816-pound application fee. Art entry for non-EU artists into the UK depends on established portfolios, acclaim and professionalism, rather than promise, practice, early...
It happens that you are in a city having decided not to be in another, and it happens that on the first day of this lucky year you board a tram, enter one of the few open establishments, take a seat next to sisters who...